New Issue of SCOPE: CIA, Resnais, German cinema and Dead Cities in the Cinema - Selamat datang di situs media global terbaru Xivanki, Pada halaman ini kami menyajikan informasi tentang New Issue of SCOPE: CIA, Resnais, German cinema and Dead Cities in the Cinema !! Semoga tulisan dengan kategori
Alain Resnais !!
CIA !!
cinematic cities !!
cinematic space !!
film and history !!
film and politics !!
German Cinema !! ini bermanfaat bagi anda. Silahkan sebarluaskan postingan New Issue of SCOPE: CIA, Resnais, German cinema and Dead Cities in the Cinema ini ke social media anda, Semoga rezeki berlimpah ikut dimudahkan Allah bagi anda, Lebih jelas infonya lansung dibawah -->
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| Framegrab from I Am Legend (Francis Lawrence, 2007). Read Elena Woolley's article on "lone-survivor-in-the-dead-city" films |
A quick post from Film Studies For Free today, simply to deliver the, as ever, excellent news that Scope, the online journal of film and tv studies, has published a new issue. Some very good articles and a marvellous array of book and film reviews, and conference reports, await you when you click on all the links below.
Articles
- Intelligence Activity in Hollywood: Remembering the 'Agency' in CIA Tricia Jenkins and Matthew Alford
- Toujours sous la neige: Snow, Stasis and Immobility in Alain Resnais' L'Amour mort and Coeurs Jenny Munro
- The Dead City: The Decay of the Urban Oganisation Elena Woolley
- Constructing Consensus: teamWorx's Event Movies and the Cinema of Consensus Andrew Wormald
- All Book Reviews [PDF]
- Alternative Worlds in Hollywood Cinema: Resonance Between Realms By James Walters; The Fantasy Film By Katherine A. Fowkes A review by Alexander Sergeant
- Global Art Cinema Edited by Rosalind Galt and Karl Schoonover; Avant-Garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties By Andrew L. Owen; Andrzej Wajda: History, Politics and Nostalgia in Polish Cinema By Janina Falkowska A review by Billy Budd Vermillion
- Jane Campion: Authorship and Personal Cinema By Alistair Fox; The Genius of the System: Hollywood Filmmaking in the Studio Era By Thomas Schatz A review by Deborah Mellamphy
- Possessed Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema By Stefan Andriopoulos; A Page of Madness: Cinema and Modernity in 1920s Japan By Aaron Gerow A review by Irena Hayter
- Ostrannenie Edited by Annie van den Oever; Optical Media By Friedrich Kittler A review by Katerina Loukopoulou
- The Language of Film By Robert Edgar-Hunt, John Marland Steven Rawie;Valuing Films: Shifting Perceptions of Worth Edited by Laura Hubner; Fifty Key American Films Edited by John White and Sabine Haenni A review by Meraj Ahmed Mubarki
- Humphrey Jennings By Keith Beattie; Shadows of Progress: Documentary Film in Post-War Britain Edited by Patrick Russell and James Piers Taylor; From Pinewood to Hollywood: British Filmmakers in American Cinema 1910- 1969 By Ian Scott A review by Paul Elliot
- Hard Hats, Rednecks, and Macho Men: Class in 1970s American Cinema By Derek Nystrom; He Was Some Kind of a Man: Masculinities in the B Western By Roderick McGillis A review by Gavin Harper
- The Cinema of India Edited by Lalitha Gopalan; Film in the Middle East and North Africa Edited by Josef Gugler; Bengali Cinema "An Other Nation? By Sharmistha Gooptu A review by Rohit K. Dasgupta
- Radical Light: Alternative Film & Video in the San Francisco Bay Area, 1945-2000 Edited by Steve Anker, Kathy Geritz and Steve Seid; Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas By Alison Macor A review by Yusef Sayed
- All Film and Television Reviews [PDF]
- Jane Eyre Catherine Paula Han
- J. Edgar Serena Daalmans
- Andy Hardy, Collection 1 Judy Beth Morris
- The Avengers Brady Hammond
- A Dangerous Method Charles Andrews
- The Shore Andrew Grunert
- All Conference Reports [PDF]
- East Winds: East Asian Cinema and Cultural Crossovers Symposium A report by Pierce Conran
- SCMS 2012: Society for Cinema and Media Studies Conference A report by Joan Doagle
- Contemporary Psychoanalysis, Literature and Film Symposium A report by Joanna Kellond
- Monsters: Subject, Object, Abject A report by Ian Pettigrew
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