New JUMP CUT, MOVIE, CINEMA on Deleuze, L'ATALANTE on acting and cinephile directors, CINEMA COMPAR/ATIVE CINEMA on Manny Farber and MUCH MORE

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Happy 2015 from Film Studies For Free! Quite a few major online journal launches of Fall 2014 issues didn't make it into FSFF's end of year round up (which did announce new issues of The Cine Files, Mediascape, [in]Transition, NECSUS, Frames and other great items). So links and contents are gathered below for convenience.

As the brilliant Jump Cut issue 56 has just been published, FSFF wanted to rush that news to you, but will also add further links of note to the foot of the entry in the coming days. So do come back to take a look at those.

CINEMA: Journal of Philosophy and the Moving Image, 6 (2014): GILLES DELEUZE AND MOVING IMAGES
    • Edited by Susana Viegas PDF
    • Editorial: Gilles Deleuze and Moving Images, 1-7 PDF by Susana Viegas
    • Abstracts, 8-15 PDF
ARTICLES
    • Cinema: The “Counter-Realization” of Philosophical Problems, by Mirjam Schaub PDF
    • Visual Effects and Phenomenology of Perceptual Control, by Jay Lampert PDF
    • Double-Deleuze: “Intelligent Materialism” Goes to the Movies, by Bernd Herzogenrath PDF
    • Bringing the Past into the Present: West of the Tracks as a Deleuzian Time-Image, by William Brown PDF
    • Thought-Images and the New as a Rarity: A Reevaluation of the Philosophical Implications of Deleuze’s Cinema Books, by Jakob Nilsson PDF
    • Visions of the Intolerable: Deleuze on Ethical Images, by Joseph Barker PDF
    • Artaud Versus Kant: Annihilation of the Imagination in the Deleuze’s Philosophy of Cinema, 
    • Jurate Baranova PDF
    • Para Além da Imagem-Cristal: Contributos para a Identificação de uma Terceira Síntese do Tempo nos Cinemas de Gilles Deleuze, by Nuno Carvalho PDF
BOOK REVIEWS
    • Ecologies of the Moving Image: Cinema, Affect, Nature, by Niall Flynn PDF
    • Brutal Vision: The Neorealist Body in Postwar Italian Cinema, Adam Cottrel PDF

CINEMA COMPAR/ATIVE CINEMA, No. 4, Fall 2014 (English language version)
CINEMA SCOPE Issue 61, 2014, online feature and interview content


JUMP CUT No. 56, fall 2014 (all items below are available here: http://www.ejumpcut.org/currentissue/index.html)

HOLLYWOOD, MAINSTREAM
    • Saving Mr. Banks and building Mr. Brand: the Walt Disney Company in the era of corporate personhood by Mike Budd 
    • The horrors of slavery and modes of representation in 12 Years a Slave and Amistad by by Douglas Kellner
    • Django Unchained—thirteen ways of looking at a black film by Heather Ashley Hayes and Gilbert Rodman 
    • The artificial intelligence of Her By Robert Alpert 
    • Attack the Block: monsters, race, and rewriting South London’s outer spaces by Lorrie Palmer 
    • Class warfare in the Robocop films by Milo Sweedler
    • Pirates without piracy: criminality, rebellion, and anarcho-libertarianism in the pirate film by Michael D. High 
    • Demon debt: 
Paranormal Activity as recessional post-cinematic allegory By Julia Leyda 
    • Wolfen: they might be gods by Tyler Sage
    • As beautiful as a butterfly? Monstrous cockroach nature and the horror film by Robin Murray and Joseph Heuman 
    • U.S. ambivalence about torture: an analysis of post-9/11 films by Jean Rahbar 

TECH AND BUSINESS
    • Hugo. The Artist—specters of film new nostalgia movies and Hollywood’s digital transition
    • by Jason Sperb 
    • The tail wags: Hollywood’s crumbling infrastructure by Jonathan Eig
    • The white flag of surrender? NBC, The Jay Leno Show, and failure on contemporary broadcast television by Kimberly Owczarski 

INTERNATIONAL
    • Inhabiting post-communist spaces in Nimród Antal’s Kontroll by György Kalmár
    • A 'Failed Brotherhood': Polish-Jewish relations and the films of Andrzej Wajda by Tim Kennedy 
    • "Made in Bollywood”: Indian popular culture in Brazil's Caminho das Indias by Swapnil Rai 
    • Of radio, remix, and Rang de Basanti: rethinking film history through film sound by Pavitra Sundar 
    • Cinema and neoliberalism: network form and the politics of connection in Icíar Bollaín’s Even the Rain by Shakti Jaising 
    • The revolution must (not) be advertised: The Players vs. Ángeles Caídos, the discourse of advertising, and the limits of political modernism by Greg Cohen 
    • The film as essay: Jafar Panahi’s search for self in This is Not a Film by Bebe Nodjomi 

BOOKS AND FESTIVALS
    • Buffoon queers by Andrew J. Douglas [Review of Scott Balcerzak, Buffoon Men: Classic Hollywood Comedians and Queered Masculinity (Detroit: Wayne State University Press, 2013]).
    • Montgomery Clift: or, the ambiguities
    • by David Greven (Review of Elisabetta Girelli, Montgomery Clift, Queer Star [Detroit: Wayne State University Press, 2014])
    • ‘Factory of new film expressions’: Alternative Film/Video Festival, Belgrade festival review by Kamila Kuc 
CLASSICS FROM THE PAST
    • Broken Blossoms—artful racism, artful rape by Julia Lesage
SPECIAL SECTION
ACTIVIST COUNTER-CINEMA
    • Part one: Jump Cut 40th anniversary
      • Introduction by Chuck Kleinhans
      • Marxism and film criticism: the current situation (1977) by Chuck Kleinhans and Julia Lesage
      • Introduction to 
Jump Cut: Hollywood and Counter Cinema (1985) by Peter Steven
      • The Sons and Daughters of Los: culture and community in Los Angeles by David E. James
    • Part two: the current scene, recurring issues
      • Perpetual subversion by Julia Lesage
      • Flying under the radar: notes on a decade of media agitation by Ernest Larson
      • Subversive media: when, why, and where by Chuck Kleinhans
      • Activist street tapes and protest pornography: participatory media culture in the age of digital reproduction by Angela Aguayo
      • Anarchist aesthetics and U.S. video activism by Chris Robé 
    • THE LAST WORD
      • John Hess, award for activism
        • Looking back, deliciously

L'ATALANTE. REVISTA DE ESTUDIOS CINEMATOGRÁFICOS N°19You'll need to create a user account for free at this journal but once you have you'll be able to access lots of wonderful articles.

TABLE OF CONTENTS

Editorial
Pablo Hernández Miñano, Violeta Martín Núñez


Notebook

Dialogue

(Dis)agreements

Vanishing Points
Notebook: Cinephile directors in modern times. When the Cinema Interrogates Itself
Table of Contents
Issue Masthead
2

Editorial
Rebeca Romero Escrivá 5

Notebook

Dialogue

(Dis)agreements

Vanishing Points

MOVIE: A JOURNAL OF FILM CRITICISM Issue 5, 2014 (Edited by Alex Clayton and Kathrina Glitre)
Jim Hillier: 1941 – 2014 - A Tribute


Other Online Items of Note (MANY MORE TO BE ADDED IN THE NEXT DAYS):



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