Xivanki Share !!: Toute la mémoire du monde: In Memoriam, Alain Resnais (June 3, 1922 - March 1, 2014)

Toute la mémoire du monde: In Memoriam, Alain Resnais (June 3, 1922 - March 1, 2014) - Selamat datang di situs media global terbaru Xivanki, Pada halaman ini kami menyajikan informasi tentang Toute la mémoire du monde: In Memoriam, Alain Resnais (June 3, 1922 - March 1, 2014) !! Semoga tulisan dengan kategori Alain Resnais !! French cinema !! French New Wave !! FSFF tributes !! Left Bank filmmaking !! ini bermanfaat bagi anda. Silahkan sebarluaskan postingan Toute la mémoire du monde: In Memoriam, Alain Resnais (June 3, 1922 - March 1, 2014) ini ke social media anda, Semoga rezeki berlimpah ikut dimudahkan Allah bagi anda, Lebih jelas infonya lansung dibawah -->

Screenshot from Les Statues meurent aussi (Alain Resnais/Chris Marker, 1953)

 "I never had any special appetite for filmmaking, but you have to make a living

and it is miraculous to earn a living working in film." - Alain Resnais

News has just come in of the death of Alain Resnais at the age of 91. The below tribute will evolve and expand over the next days and weeks. But Film Studies For Free has begun it with a sense of shock and huge sadness. David Hudson is also collecting tributes and links at Keyframe Daily.

• Michael Atkinson., 'Storytelling', Moving Image Source, 2009
• Jenny Chamarette, 'Les Statues meurent aussi',  Senses of Cinema, 52, 2009
• Crissa-Jean Chappel, 'Alain Resnais and Atom Egoyan', Cinetext, July 2003
• Angela Dalle Vacche, 'Interstices and Impurities in the Cinema: Art and Science', Alphaville, Issue 5, 2013
• Katharine Anne (Gabele) Douglass, 'Pika-Don and Motion Pictures: The Atomic in Cinema ', Montage,1, 2008
• Robert Farmer, 'Marker, Resnais, Varda: Remembering the Left Bank Group', Senses of Cinema, 52, 2009
  
• Sarah French, 'From History to Memory: Alain Resnais’ and Marguerite Duras’ Hiroshima mon amour', Melbourne Art Journal, Issue 3, 2008
• Matthias De Groof, 'Statues Also Die - But Their Death is not the Final Word ', Image and Narrative, 11.1, 2010
• David Hudson, 'Last Year at Marienbad at 50', Daily: MUBI, June 20, 2011
• Goh Wee Kiat, 'Regarding Resnais: Levinasian Responsibility in Alain Resnais’s Night and Fog', Academia.edu, date unknown
• Alex Ling, 'Parentheses in Time: L’Année Dernière à Marienbad (1961) as Amorous Event', Screening the Past, 43, 2012
• Alessandra Madella, The woman condition: love and technology in Hiroshima mon amour, PhD thesis, University of Iowa, 2011
• Hannah Mowat, 'Nature versus architecture: navigating the threshold in Alain Resnais’s L’Année dernière à Marienbad, Stanley Kubrick’s The Shining and Jessica Hausner’s Hotel', Frames, Issue 2, 2012 
• Jenny Munro, 'Toujours sous la neige: Snow, Stasis and Immobility in Alain Resnais' L'Amour mort and Coeurs', Scope, Issue 23, 212
• Lindsay Peters, 'Ashes of Time', Moving Image Source, 2011
• Jonathan Rosenbaum, 'The Unknown Statue', Moving Image Source, 2009
• Jonathan Rosenbaum, 'Three Key Moments from Three Alain Resnais Films', JonathanRosenbaum.com, June 2007
• Donato Totaro, 'Hiroshima Mon Amour', Offscreen Journal, August 31, 2003
• Andrew Tracy, 'After the Revolution', Moving Image Source, 2008
• Deborah Walker, 'Resnais/Derrida: Reconstructing the Subject', Literature and Aesthetics, 10, 2000