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Header image from the symposium website for “Reframing Cinema Histories”

This issue of Alphaville originates in a one-day symposium, “Reframing Cinema Histories”, which was organised at University College Cork in March 2013. The aim of the event was to bring together a select group of scholars working on a range of historical projects and, through presentations of specific case studies and a round table discussion, highlight the variety of methodological approaches that may be adopted by the researcher studying and writing about cinema history [Reframing Cinema Histories: Editorial by Pierluigi Ercole and Gwenda Young, Alphaville, Issue 6, 2013]

And the new journal issues just keep on coming! Today, Film Studies For Free links to a very high quality issue of special interest to film historians and others working in film historiography: Alphaville's latest offering on Reframing Cinema Histories.

Utter brilliance from start to finish, IFSFFHO...


Alphaville, Issue 6, Winter 2013: Reframing Cinema Histories: 

• Editorial by Pierluigi Ercole and Gwenda Young (Issue 6 Editors) Articles:

• "A Taste in Pictures": The Second Birth of Cinema in Cork by Denis Condon, National University of Ireland Maynooth
• Understanding Dutch Film Culture: A Comparative Approach by Judith Thissen, Utrecht University
• "The Greatest Film of the Fascist Era": The Distribution of Camicia nera in Britain by Pierluigi Ercole, Oxford Brookes University
• Exploring Racial Politics, Personal History and Critical Reception: Clarence Brown's Intruder in the Dust (1949) by Gwenda Young, University College Cork
• An Advertiser's Dream: The Construction of the "Consumptionist" Cinematic Persona of Mercedes Gleitze by Ciara Chambers, University of Ulster
• The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Antinuclear Campaigning by Peter Krämer, University of East Anglia
• What is the Value of a Technological History of Cinema? by Lee Grieveson, University College London

Book Reviews:

1. A Book on the Making of Lonesome Dove, by John Spong (2012) Reviewer: Matthew Carter, University of Essex
2. Ex-Cinema: From a Theory of Experimental Film and Video, by Akira Mizuta Lippit (2012) Reviewer: Niall Flynn, Independent Scholar
3. Men and Masculinities in Irish Cinema, by Debbie Ging (2013) Reviewer: Barry Monahan, University College Cork

[Book Reviews Editor: Ian Murphy]

Conference Reports:

1. World Cinema On-Demand: Film Distribution and Education in the Streaming Media Era
2. Queen's University Belfast, 15–16 June 2012; 26 June 2013; 19 September 2013 Reporter: Alexandra Kapka, Queen's University Belfast
3. Revisiting Star Studies, Culture Lab, Newcastle University, 12–14 June 2013 Reporter: Jennifer O'Meara, Trinity College Dublin
4. A Star is Born: Cinematic Reflections on Stardom and the "Stardom Film", King's College London, 13 September 2013 Reporter: Shelagh M. Rowan-Legg, King's College London

[Reports Editor: Yuanyuan Chen]