Lives on Film: Auto/Biographical Fiction and Documentary Film Studies - Selamat datang di situs media global terbaru Xivanki, Pada halaman ini kami menyajikan informasi tentang Lives on Film: Auto/Biographical Fiction and Documentary Film Studies !! Semoga tulisan dengan kategori
Avant-Garde and Experimental Cinema !!
biopics !!
documentary filmmaking !!
documentary studies !!
ethnography !!
feminist film !!
film biography !!
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Lizzie Thynne, filmmaker, writer and Senior Lecturer in Media and Film at the University of Sussex, discusses her theoretical and practice research into film biography with FSFF's author. In REFRAME’s interview, as well as her earlier films Child of Mine (Channel Four Television, 1996) and Playing a Part: The Story of Claude Cahun (2004), and her written research on biographical, subjective and feminist filmmaking, Thynne talks about her recent experimental documentary On the Border (UK, 2013, 56 minutes), a daughter’s exploration of her Finnish family’s history prompted by the letters, objects, and photographs left in her mother’s apartment. You can find more information about the above video here. Lizzie Thynne's film On the Border is screening today, Wednesday, October 9, at 7pm in The Finnish Church, 33 Albion St, London SE16 7JG – free entry courtesy of the Finnish Church in association with the Anglo-Finnish Society. The screening will be followed by a discussion with participants: Lizzie Thynne, Titus Hjelm (UCL, School of Slavonic Studies) and others.
This entry is produced to coincide with the publication this week of the above embedded video on film biography, part of FSFF's sister project REFRAME Conversations, a new series of in-depth, open access explorations of media, film, music and cultural studies research, published and shareable on and offline in video/audio formats.
Because of this schedule, preparation of the below list precedes the publication of a great looking new edited collection on The Biopic in Contemporary Film Culture by Tom Brown (a friend of this blog - see the entry on direct address here) and Belén Vidal. The two editors have completed a podcast on their project shortly to be uploaded to this website. That great link will be added here later.
- Zélie Asava, 'Multiculturalism and Morphing in I’m Not There (Haynes, 2007)', Wide Screen, 1.2, 2010
- Michael Atkinson, 'We Hardly Knew Ye: Why do we watch biopics?', Moving Image Source, November 2012
- Giselle Bastin, 'Filming the Ineffable: Biopics of the British Royal Family', a/b: Auto/Biography Studies, Volume 24, Number 1, Summer 2009, pp. 34-52 PDF
- Donna Lee Brien, 'Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories', M/C Journal, Vol. 12, No. 5 (2009) - 'disclose'
- Molly Brost, 'Walking the Line: Negotiating Celebrity in the Country Music Biopic', Scope, 18, 2011
- Molly Brost, 'Negotiating Authenticity: Coal Miner's Daughter, the Biopic, and Country Music', Americana: The Journal of American Popular Culture (1900-present), Fall 2008, Volume 7, Issue 2
- Rosalind Brunt, 'The Changing Face of Royalty', Marxism Today, 1984
- David Bovey, “Sex doesn’t dominate my life at all, really. I think painting does” (David Hockney): the emergence of the queer artist biopic' PDF, NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012)
- Kieran Cashell, 'Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman’s Wittgenstein', Film-Philosophy 16.1 (2012)
- Daniel Charchuk, '“Can’t Fucking Act”: Bronson and the Art of Performance', Offscreen, March 31, 2013
- Pam Cook, 'Portrait of a Lady: Sofia Coppola', Sight and Sound 16 (11), November 2006, pp. 36-40
- Ryan Diduk, 'Of Race, Representation and Responsibility in Jenni Olson’s Afro Promo', Offscreen,10.2, 2006
- Thomas Doherty, 'All the Way to the FBI Tracing the Hollywood career of J. Edgar Hoover', Moving Image Source, November 16, 2011
- Bilge Eburi, 'Visions of Ludwig: Cinema’s fascination with the mad king of Bavaria', Moving Image Source, June 4, 2009
- Carolyn Ellam, 'Depicting a Life Less Ordinary: Fantasy as Evidence for Deconstruction in the Contemporary Film Biopic' PDF, NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012)
- Jane Feuer, 'Daughter Rite: Living with our pain, and love', Jump Cut, 23, October 1980
- Adam Gallimore, 'Digital Lives: Refiguring the recent and distant pasts in new biographical forms' PDF, NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012)
- Bree Hadley and Rebecca Caines, 'Negotiating Selves: Exploring Cultures of Disclosure', M/C Journal, Vol. 12, No. 5 (2009) - 'disclose'
- Stella Hockenhull, 'Remystifying Film: Aesthetics, Emotion and The Queen', Film-Philosophy, Vol 16, No 1 (2012) PDF
- Dianne Hunter, 'From Ethereal Confrontation to Child Abuse to Womanly Conflict: Ophelia in Three Late-Twentieth Century Films', PsyArt, December 2008
- Elisa Isabel Jiménez Aguilar, '"With tears and a journey”: Recreating Shakespeare’s life on screen', MA Thesis, Universidad de Granada, June 2013
- Derek Johnstone, 'Re-Envisioning the Artist Hero Through Two Cole Porter Biopics' PDF, NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012)
- Julia Kinzler, 'Visualising Victoria: Gender, Genre and History in The Young Victoria (2009)', Neo-Victorian Studies, 4:2 (2011) pp. 49-65
- Hanna Kylloen, 'Blurring Gender Boundaries – Masculine Confessional in Celebrity Auto/biographies' PDF, NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012)
- Kevin B Lee and Matt Zoller Seitz, 'Follow the Leader: Revisiting the Oliver Stone biopics Nixon and Alexander', Moving Image Source, March 11, 2011
- Kevin B Lee and Matt Zoller Seitz, 'Arsenic and Apple Pie Oliver Stone Pt. 1: Patriotism and propaganda in Born on the Fourth of July', Moving Image Source, October 14, 2008
- Kevin B Lee and Matt Zoller Seitz, 'Unreliable Narratives Oliver Stone Pt. 2: JFK and the power of counter-myth , Moving Image Source, October 15, 2008
- Kevin B Lee and Matt Zoller Seitz, 'Fear and Self-Loathing Oliver Stone Pt. 3: Nixon and the unmaking of a president', Moving Image Source, October 16, 2008
- Kevin B Lee and Matt Zoller Seitz, 'Empire of the Son Oliver Stone Pt. 4: War and civilization in Alexander, and an epilogue on W.', Moving Image Source, October 17, 2008
- Laura Mason, '"We' re just little people, Louis": Marie-Antoinette on Film', Film-Historia, Vol. IV, No.3 (1994): 211-222
- David Muldoon, 'The Postmodern Gender Divide in the Bob Dylan Biopic I'm Not There', Miscelánea, 46, 2012
- A. Mary Murphy, 'The Problem of the Literary BioPic', Kinema, 17, 2002
- Donald Phelps, 'Ken Russell's Portraits of Elgar, Delius and Mahler', Rouge, 8, 2006
- Matthew Robinson, 'The Biographical Narrative in Popular Culture, Media and Communication: An Introduction' PDF, NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012)
- Keeley Saunders, 'Caravaggio’s cinematic painting: Fictionalising art and biography in the artist biopic', NETWORKING KNOWLEDGE: Journal of the MeCCSA-PGN, Vol 5, No 3 (2012) PDF
- Lizzie Thynne, 'Ethics, politics and representation in Child of Mine, a television documentary on lesbian parenting', Jump Cut, 23, 2011
- Andrew Tracy, 'Rare Bird: Gallant Journey and the limits of auteurism', Moving Image Source, Feburary 17, 2009
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