Xivanki Share !!: A Terrorist Goal for 2025

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This dream is shown from the perspective of a young man. I do not see his reflection. But, I perceived everything from his perspective.

There is a gathering. And, somehow, this young man finds himself in his own bedroom, sitting on his bed, speaking with another man who arrived for the dinner, or whatever purpose brought them. But, it is a casual affair.

The visitor has thin black hair which forms into wisps, not curls. These are individual, thin locks isolated across his scalp, which his thin hair leaves visible in places. He wears a skull cap, an Islamic kufi cap. It is the rounded variety, not squared at top. He either has small, fine spectacles, or else his eyes are small. I can’t recall this exactly, just the net effect of some small, contracted effect attributed to his eyes.

While the two talk, it is mentioned that the young man’s sister will join the army.

A bit later, the Muslim has finished telling the young man something about Islam.

The young man replies with a positive, relaxed tone. “Well, in the Bible…” The Muslim sours his face and squints, pushing his eyes off the young man, toward the door.

“Ah. God says,” he continues, changing the referenced source, and then tells the Muslim about Jesus, the Son of God.

“You have a son now. God explains to us the love of a son. God created everything in the world in a way that tells us something about Heaven.” He turns to the wall and makes an invisible mark with his finger. This is God, and his Son- however He was created, we don’t know – is called a son so we will understand how much God loves Jesus and what it meant to sacrifice him.” He pokes a spot on the wall beneath the first invisible mark. God’s son is beneath him, and from him, just as your,” he pokes another mark on the wall, “new son, Ishwan,” pokes a fourth mark under the third, “is beneath you and under your protection and authority.”

The young man tells the Muslim about Jesus for a short while longer.

The Muslim stands, picks up a wide-tip black marker, and walks over to two sliding doors, the inexpensive brown, hollow, kind used in upper-lower class home construction. There is a poster on one door. The Muslim begins to write on the poster with the black marker.

“Well, we plan to completely destroy ______ by _____, 2025.” When he turns his back to write, he partially occludes the poster. However, I can see written, in large black numbers, “11 / 2025.” He named a city.

I don’t know if this meant November, 2025 (though that is what I thought when I first woke up from the dream), or if there was a month written to the left of the 11, where I could not see it. For example, he may have written, “9 / 11 / 2025.” But, my first impression was that he only wrote a month and year, and that the threat was against an entire city, that they planned to completely destroy it.

When the Muslim says this, the young man remembers a recent visit he made to see a government Intel agent, to report something. The young man realizes he is going to be making a second trip, then wonders if he might just be making many more trips as he is going to know this Muslim and see more of him.

(new scene)

Several people are outside. This is a kind of dead end stub off another road. It is a kind of suburbia, but of short apartment buildings, not individual homes (something like that.) The grass is withered and the street is oxidized. There is a concrete bordered island in the center of the street stub, with just dirt and weeds growing in the center.

At the end of the street is a chain link fence. The island ends before the fence permitting a small amount of space. I’m not sure if it is even enough room to turn a car around. The road slopes down at about 3 percent toward the park.

Up the street, Ishwan, and a few others stand in a group, saying goodbyes. A young man standing in his yard (on the right, facing uphill) yells to them, “Au reviore!” He pronounces the ‘r’ strongly.

A chubby Caucasian man says, “Oh. So, what does ‘rah muncken’ (*) mean in German? It’s the only German I ever learned.”

A male voice from somewhere right of the group (so probably near or in a doorway to the apartment in which the young man lives) yells, “It’s ‘au revoir’, not ‘au revoire’.” The unseen male pronounces the French farewell correctly.

Walking past the young man, very near the park, is the wife of Ishwan, carrying their very small baby tucked into the crux of one arm. She pulls a cigarette out of her mouth with the other hand, turns a quarter turn and shouts over her shoulder, “Rah Muncken was the name of my band!”

She is a rough looking woman. Her hair is not styled, or even clean. It is a sandy, dirty blonde color. The woman herself is thick, even a bit on the fat side of heavy.  She jams the cigarette back into her mouth and pulls a drag while shifting the baby as she passes the young man.

WAKE.

(*) The words were something like rah muncken (raa myoon-kin). I’m not positive. This is close, though.
Note (17 April 2014): I've just learned that the German word for Munich is München. So, it seems that Ishwan's father moved them to Germany at some point... or else the original scene actually took place in Germany. But, the second scene certainly takes place somewhere where people don't speak either German or French well.