ALPHAVILLE Issue 3: Sound, Voice and Music

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Framegrab from Coming Home (Hal Ashby, 1978)
In his discussion of the work of Hal Ashby ['When is the Now in the Here and There?'], Aaron Hunter contributes to the emerging body of scholarship on the technique of “trans-diegesis”. Taking Ashby’s Coming Home (1978) as a case study, Hunter shows how Ashby’s use of trans-diegetic music—music that crosses narrative layers—forms part of a consistently playful approach to cinematic form and functions on several levels: as a tool that allows for a merger between moments in time, as a device to create a transition between incongruent events within the diegesis, or as mechanism to create a temporal confluence between apparently sequential events. [Alphaville, 3, 2012 Editorial by Danijela Kulezic-Wilson, Christopher Morris and Jessica Shine]
 
Once again, Film Studies For Free salutes the online journal Alphaville. Its latest issue, just out, treats the important topic of sound, voice and music in film and television and boasts some excellent contributions.

FSFF enjoyed them all, but particularly liked Michael Dwyer's The Same Old Songs in Reagan-Era Teen Film and Michael Charlton's Performing Gender in the Studio and Postmodern Musical, along with the discussion of Hal Ashby's film by Aaron Hunter. There are also some great book reviews and rewarding conference reports, too, perhaps most notably James MacDowell's detailed discussion of  The End Of…? An Interdisciplinary Conference on the Study of Motion Pictures.

All the contents are linked to below.


Alphaville, Issue 3, Summer 2012
Sound, Voice, Music Edited by Danijela Kulezic-Wilson, Christopher Morris and Jessica Shine

Editorial by Danijela Kulezic-Wilson, Christopher Morris and Jessica Shine
Book Reviews Edited by Jill Murphy
Reports Edited by Ian Murphy


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